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Ignoring conventional thinking about genrecide

February 21, 2014 by Pen 4 Comments

[su_quote cite=”Ryan Casey”]Listen, people are clever. If you put a new book out, chances are they’ll read the blurb/see the cover, and decide whether they want to buy it or not.[/su_quote]

I had a conversation this evening with someone I care very much about. This person is invested in me and my nascent writing career as a self-publishing author. We were talking about how I can market myself and sell my books. One of the questions was whether an author can publish work in multiple genres. It’s a good question, and one that I want to think about. I have every intent of writing in any genre that I wish. The two books I have published as I write these words are erotica. Specifically, they are BDSM psychological conditioning thrillers with elements involving unethical acts, criminal acts and plot themes that involve murder. Mixing all these elements is not easy, and I am sometimes disturbed by the things I am writing about. But, they’re thrilling and engaging. That’s what my current audience feedback says, in any case.

I see no reason that I shouldn’t be able to build an audience of erotica readers who will also be interested in self-help, modern fantasy, science fiction, horror, poetry collections and post-apocalyptic novels down the road. My friend and adviser thinks I might be limiting myself or hurting my personal brand if I’m not careful how I market. And, because I value the person and the advice I’m receiving, I’m mulling this over very carefully.

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What do you think? Once you like something by an author, how likely are you to try out a title in a completely different genre? Let me know your thoughts, either in a comment or using the contact form if that’s your preference. I love interacting with my readers, and however you arrived here, I’d like to thank you for your interest in my work.

Pen

Filed Under: Dear Reader Tagged With: BDSM, genrecide, love, multi genre author, murder, writing

the world they made

May 5, 2013 by Pen 8 Comments

The dreamer worked carefully. His long, delicate fingers moved surely over the drawings and notes, adding a detail here, and a flair there. The black pen in his hands flew from point to point, and he occasionally brought the tip down in an emphatic motion. His lean arms flexed under the white lights mounted over the sleek metal of the standing desk where he toiled. Some trick of the light made particles of dust or some other matter shimmer from time to time around the workspace. The skin around his blue eyes wrinkled up as he leaned down to check a detail. As the dreamer looked up, the stress lines in his forward relaxed for a moment.

“What next love?”

The muse threw her hair back over her shoulders, an unconscious motion, one she did dozens of times a day. Her right hand came up to her face, and she pursed her lips. From across the room, she opened her mouth, then paused a moment. Her face lit up in a smile more real than the world itself.

“Can we have a talking goat?”

The dreamer considered. He flipped through several of the large drawings, concentrating. His brow went back into furrowed mode, and the black metal pen began to dance in his fingers. The pen did a roll, and a dip and then spun around in the air with a faint whistling sound. The dreamer’s left hand caught the pen in midair, stilling it for a half second. His eyes blinked. The air around his workspace sparkled. The dreamer drew in a breath, and the metal pen came to life again, its dance resuming.

“Yes,” he said finally. “We can have a talking goat. But we can only have one.”

The pen continued its dance, and the dreamer looked up, his blue eyes piercing and serious.

“Will you keep him company? Will you make sure he is happy? A talking goat needs care you know.”

The muse stepped a half step closer to her dreamer. Her body arched, she leaned in, and her lips pursed again.

“Of course love.”

She looked at her lover, the dreamer, and smiled.

“I’ll go make us lunch.”

The muse sashayed her way out of the room.

The dreamer forced himself to look away from her retreating form, and bent his head and focused, which was his wont. On the pages of his standing desk, he plotted and planned. The pen became a whirling dervish as ink flowed from its ball point tip. An hour passed, and the muse came back into the room, bearing fresh tomato soup with basil grown in the muse’s garden, and fresh homemade flaxseed bread slices covered in ghee butter.

The dreamer walked over to their table by the window. It looked out on the rooftop garden, high above a large metropolis where everything stayed busy all the time.

The dreamer stared into his muse’s eyes, which sometimes looked green, and sometimes looked brown, depending on the light.

“I think the clouds are perfect today,” he said between bites of his flaxseed bread. He white teeth showed just a bit when he looked at the muse. They never did any other time. She made him different, somehow.

“The clouds are perfect today. Let’s put them in.”

So the dreamer did, as soon as he had finished lunch and kissed his muse on her pale forehead, and then on warm, receiving lips. It was his ritual. One of so very many he had developed since the two of them began plotting together against the reality in which they found themselves.

“I have to focus today. Our time is short, my love.”

The muse smiled, a bit sadly.

“I know love,” she said.

“After you garden, work on the list of who you want to bring, and then we’ll go to the oncologist’s office.”

The dreamer kissed his muse one more time, and bent to his task again. His hand, and the pen it held, came to life. His lips spewed up unconscious words, in an almost prayer like fashion. As the muse gardened, he built a world where her cancer was not killing her. He made forests for her, and wrote in special trees, old ones, with magnificently thick trunks that were thousands of years old. He planned the walks they would take, the ones where he could pretend to be astonished by the fact that both their names appeared together in the bark 50 feet above the ground.

The dreamer’s forehead dripped with sweat as he planned the view outside their hillside home. He labored especially intensely on the verdant greens in the grasses his muse would see out the windows of their underground home built into the hill, with the wall of windows facing east. The waterfall that came to life under the command of his mind and hand, armed only with his pen and imagination, flowed down the hillside and through the interior courtyard of the safe nest the two of them had talked so much about. That last retreat that they were going to flee towards.

Later, they went to the oncologist, and the muse was swabbed with alcohol and dosed. After, she was much braver than her dreamer, as he sobbed and held her while she threw up into the toilet. When her uncontrollable heaves finally stopped, and his eyes were clear enough for him to see, she looked up into them, and held his face.

“I love you,” she said. “I always will.” Unable to speak, he simply looked back.

The next day, it rained, and the dreamer and his muse slept in. She was sick, but well enough to hold on when he held her. They spent an hour just facing each other, eyes locked, in an easy embrace. Then he cooked while she slept the sleep of drug induced exhaustion. The dreamer came back into the room with her eggs and yoghurt, but she was too ill to eat anything. He cried, and she comforted him. She slept again.

He worked desperately. They were able to eat lunch together by the window.

“I’m almost ready love,” he said to her, later that evening.

She smiled through her pain, and her eyes came alive. Then, she had to sleep again.

He worked all night, and went through another ink cartridge. The drawer where he kept the spares was still mostly full. The dreamer worked frenetically, like a man possessed. He only stopped to check on the muse in their bed.

On a cold, blustery afternoon a few days later, the dreamer and the muse greeted their friends. She was pale, which was her normal, but also frail looking, which they did not associate her with.

Shaka, the poet, was the most visibly affected by how sick she looked. The group had not gathered in two months, and the muse was much changed.

“I’m so ready,” Shaka said, and gave the muse one of his great, big bear hugs full of pure love.

The small group gathered around the dreamer’s table.

Melanie, the tall, ethereal actress, and Matthew, her shorter, more intense partner, stood side by side as always, their bodies crackling with the electricity they generated in the inch between them.

Jennifer, the naturopath, wanted to say a few words, but the group shushed her.

“Time for that later,” said Ned, who had been a childhood companion to the dreamer, and who had once saved his life during a storm.

The dreamer looked at his muse, and then at each of their friends. His eyes, which were always engaging, seemed now to be pulling energy from each of these people he loved.

“Are all of you ready?”

They were. The dreamer opened the plain, unstained wooden door behind and to the left of his desk.

Jennifer forgot she wanted to give a speech in the light that came through from the other side. Starting with Ned, each of them went through in single file, except for the muse and her dreamer, who stepped through last, holding hands.

Several years later, under a pink sunset so beautiful that the muse wept with joy, the dreamer toasted his friends on the hillside.

“We have been here five years,” he said. The group toasted. “I love each of you with all my heart, and I want to thank you joining us on this wonderful voyage.”

“This world you made sure does have tasty grass,” said the goat. The group toasted, and the muse, who looked so full of joy she was about to burst, hugged Billy while he happily chewed grass. Then she kissed the dreamer on his lips. His eyes shone at first, and then welled with tears of happiness.

“Thank you,” she said. He said it back.

The music started, and everyone danced in the courtyard by the waterfall while the full moon watched.

Filed Under: Short Stories Tagged With: cancer, dreams, garden, love, magic, muse, pen, penfist, short stories, short story, the hill, writing

What makes writing good

March 4, 2012 by Pen 1 Comment

You probably have at least a passing familiarity with Stephen King. Mister King is one of the better writers of the 20th and 21st centuries. The prolific author has penned more than 40 novels. He is often harshly treated by professional critics, and that is a sure sign that he is doing something right as an author. Stephen King has readers. He has readers because he doesn’t write for critics, he writes for normal people who want to read exciting stories.

In my mind, the best writers don’t give a shit about what the critics think. They write to please themselves. For some, doing so will also mean pleasing an audience. The writer who has good marketing people working for him or her will find that audience. Stephen King doesn’t stop to worry about what other people thinking of his writing. He just keeps doing it, year after year, page after page, novel after story. And his fans fucking love him.

They love him because he knows how to speak to them from the pages. His characters are believable. His plots keep the reader interested from beginning to end. His writing is simple, direct and easy to digest. Stephen King knows how to make words come alive. More importantly, he actually sits in front of a computer and puts the words out there for the universe to eat. He is a wordchef. You won’t find wordchef in the dictionary, dear reader, and I don’t care. Stephen King is a wordchef, and an inspiration to inspiring wordchefs everywhere.

Stephen King’s writing is good food because it is simple, digestible and readily available. There is enough of it to go around, and most people will never get tired of the taste. There are lots of other writers who taste different, and sometimes you will be in the mood for those writers. They come in every flavor and I firmly believe that readers and writers should sample a wide array of flavors when it comes to the words they eat. The prevalent flavor in this article, however, is Stephen King flavor. He wrote a book on the subject, which is appropriately called [easyazon-link asin=”B000FC0SIM” locale=”us”]On Writing[/easyazon-link]. Here are some worthwhile quotes from that man on writing (and what makes it good):

I believe the first draft of a book — even a long one — should take no more than three months…Any longer and — for me, at least — the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity. Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it. Talent renders the whole idea of rehearsal meaningless; when you find something at which you are talented, you do it (whatever it is) until your fingers bleed or your eyes are ready to fall out of your head. Even when no one is listening (or reading, or watching), every outing is a bravura performance, because you as the creator are happy. Perhaps even ecstatic. Description begins in the writer’s imagination, but should finish in the reader’s. Now comes the big question: What are you going to write about? And the equally big answer: Anything you damn well want. The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them — words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. But it’s more than that, isn’t it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it. That’s the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.

What makes writing good? It has to be important. It has to be meaningful. It has to come from the heart. It has to have a point to make. Most of all, it has to flow. If you don’t know how to flow as a writer, then you will never make your point, and you’ll never find your audience.

Start everything at the beginning. Figure out why your story matters. Then make your case. Remind your dear readers of why they the jury agree with you. Ram that shit right down their throats if you have to. Use rich descriptions. Sprinkle in anecdotes that reinforce your case. Figure out the compelling stuff and tell everyone that shit. Wrap it up and poke your reader right in the eye with that sharp spear that is your point, again and again, until they will remember you and and your tale for the rest of however long they have to live. That’s what makes writing good.

Filed Under: Dear Reader Tagged With: Mister King, Stephen King, writing

1,000 words per day

February 29, 2012 by Pen

It may seem obvious to you that in order to be a successful author, one must actually write. I am dense. It took me 40 years to catch on to this simple truth. When I did, I realized that goals must be set. In my current existence, I work full-time for one of the many corporate entities that make modern life a complete drudgery. Therefore, my daily word count goal is modest; 1,000 words a day is what I demand from myself. I will write 1,000 words per day no matter what. I could have just shit my pants. I may be bleeding from my nose. A gang of midget ninjas may just have snuck in through air vents I didn’t know about, beaten the hell out of me, and stolen all my money. I still have to write 1,000 words per day.

The 1,000 words per day rule is critical. If I don’t follow it, then I never finish a project. Goals are critical, and every writer should have them. Even if you are not a writer, you should have goals. Some examples:

  1. Get laid once a week.
  2. Stay out of jail by avoiding trouble.
  3. Ignore all media coverage of Whitney Houston, and other self-destructive time wasters.
The point of having goals is to ensure that you get things done. People without goals end up watching a lot of Jerry Springer and some of them ending up eating a gun, or 1,000 gallons of ice cream. So then those people are either dead or rolling around the grocery store in a motorized cart, farting a lot and wishing things had turned out different.

Assuming that my first novel is going to be roughly 100K words long, it should take me 100 days to knock out the rough draft. Time to get back to it.

What about you, dear reader? Do you write? If so, what are your goals? How many words a day do you write? What rules keep you on track and focused?

 

Filed Under: Dear Reader Tagged With: Jerry Springer, output, rules, Whitney Houston, word count, writing

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